|
|
|
|
|
Kyrkesund (nn02)
Painting ID:: 23177
|
Karl Nordstrom
Kyrkesund (nn02)
1911 Oil on duck
48 x 74'' Nationalmuseum,Stockholm
|
| |
|
|
|
|
|
|
|
|
|
Garden in Grez
Painting ID:: 41572
|
Karl Nordstrom
Garden in Grez
mk163
Oil
1885
|
| |
|
|
|
|
|
|
|
|
|
Ancient bridge in Grez
Painting ID:: 48919
|
Karl Nordstrom
Ancient bridge in Grez
mk187
1882
Oil slick pa screen
77x71cm
|
| |
|
|
|
|
|
|
|
|
|
Skogsglantan
Painting ID:: 48920
|
Karl Nordstrom
Skogsglantan
mk187
Motive stamp Grez
1884
Oil slick pa screen
114x92cm
|
| |
|
|
|
|
|
|
|
|
|
Granngardarna
Painting ID:: 48942
|
Karl Nordstrom
Granngardarna
mk187
1894
Oil slick pa screen
96x196cm
|
| |
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
|
Karl Nordstrom
|
|
Swedish Painter, 1855-1923
was a Swedish painter and one of the leading members of Konstnärsförbundet, which he chaired from 1896 until its dissolution in 1920. Born on Gotland, but growing up on Tjörn on the Swedish West Coast, Nordström studied at principskolan, the preparatory school of the Royal Academy of Arts in Stockholm and the private painting school of Edvard Perseus, but was never promoted to the "Antique school" of the Academy but had to continue on his own. Traveling to Paris in 1881, he was influenced by the impressionists. He spent a couple of years in Grez-sur-Loing, the site of an important colony of Scandinavian artists, practising his plein air painting in the strong French sunlight. In 1885, he joined the group of young artists protesting against the policies and leadership of the Academy, and he was ever since 1886 one of the leading members of Konstnärsförbundet, the formalization of the opposition group. He was its chairman from 1896 until its dissolution in 1920. In 1886, he married xylographer and photographer Tekla Lindeström in Paris. Later the same year, he settled on Tjörn, using what he had learnt in France about light and colours to depict the landscape where he had grown up. He spent the summer of 1889 in Visby. Around 1890, he moved from his earlier impressionism towards a more synthetist style. His influences came from Japanese art, which he had encountered in Paris, and from Gauguin, whose paintings he first saw in photographs he had received from Ivan Agueli. One of Nordström's old friends from the time at the Academy and in Perseus' school, Nils Kreuger, had lived in the city of Varberg since 1888. He convinced Nordström to move there in 1892, and they were joined by another of their old friends, Richard Bergh, in 1893. |
|
Related Artists::.
| Muenier, Jules-Alexis | Clark, Kate Freeman | Michele da Verona | |
|
